Nudity in live performance

Dance, as a sequence of human movement, may be ceremonial, social or one of the performing arts. Partial or complete nudity is a feature of ceremonial dances in some tropical countries. However, some claim that modern practices may be used to promote "ethnic tourism" rather than to revive authentic traditions.[1] In Western traditions, dance costumes have evolved towards providing more freedom of movement and revealing more of the body; complete nakedness being the culmination of this process.[2] Nudity became part of classical ballet in 1972 in the performance of Flemming Flindt's Triumph of Death by the Royal Danish Ballet. While premiering in Denmark without comment regarding the nudity, the work's performance in the United States in 1976 was limited to four evening performances at the Metropolitan Opera House in New York City.[3] Contemporary choreographers consider nudity one of the possible "costumes" available for dance, some seeing nudity as expressing deeper human qualities through dance which works against the sexual objectification of the body in commercial culture.[4] While nudity in social dance is not common, events such as "Naked Tango" have been held in Germany.[5]

In a 2012 article, dance critic Alastair Macaulay surveyed nudity on stage from its beginnings in the 1960s and finds it had been normalized in avant-garde modern dance, including erotic elements. Nudity is less often found in mainstream dance, such as ballet.[6]

Participants preparing to be photographed by Spencer Tunick at the Sydney Opera House

Photography of groups of nude people in public places has been done around the world with or without official cooperation. The gathering itself is proposed as performance art, while the resulting images become statements based upon the identities of the people posing and the location selected: urban, scenic landscapes, or sites of historical significance. The photographers including Spencer Tunick[7][8][9] and Henning von Berg state a variety of artistic, cultural, and political reasons for their work, while those being photographed may be professional models or unpaid volunteers attracted to the project for personal reasons.

Virginia Biddle, Ziegfeld performer, 1927

Models posing on stage nude was a feature of tableaux vivants at London's Windmill Theatre and New York's Ziegfeld Follies in the early 20th century.[10][11] English and United States law did not allow nude or topless performers to move on stage, but allowed them stand motionless to imitate works of art.[12]

Reflecting the era, the American theater in the 1960s addressed issues including hypocrisy and freedom. By 1968 nudity was freely employed by playwrights, directors and producers not only on subjects of sexuality but regarding social injustice and war.[13] One of the first was the Broadway musical Hair in 1968,[14] which was benign compared to Dionysus in 69, a modern version of The Bacchae that included a chorus of nude and partially nude actors who staged a birth ritual and interacted with the audience.[13] Eventually nudity became an issue of personal integrity and privacy, with some actors choosing to perform nude, others not.[13]

Public performances that have the intent of arousing the erotic interest of an audience have an indeterminate history, generally associated with prostitution. Modern striptease did not end with performers entirely nude until the twentieth century. Live sex shows have been marginalized after a brief period of acceptance, perhaps due to completion from interactive on-line performances, or because the enactment of pornographic scenarios on stage are "too real" for general public enjoyment.[15]