Jermyn Street Theatre
Jermyn Street Theatre is a performance venue situated on Jermyn Street, in London's West End. It is an off-west end studio theatre.
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Address | 16b Jermyn Street London, SW1 United Kingdom |
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Coordinates | 51.5092°N 0.1345°W |
Public transit | ![]() |
Type | West End Studio Theatre |
Genre(s) | Theatre |
Capacity | 70 |
Production | The Marriage of Alice B. Toklas by Gertrude Stein (17 March – 16 April 2022) |
Opened | August 1994 |
Website | |
jermynstreettheatre |
History
Jermyn Street opened in August 1994. Formerly the changing rooms for staff at a Spaghetti House restaurant and originally the cellar of the Kent & Sussex Tavern up until 1838.[1] The space was transformed under the leadership of Howard Jameson and Penny Horner into a 70-seat studio theatre.[2] They both remain the Chair of the Board and Executive Director respectively. In 1995, Neil Marcus[3] became the first Artistic Director and Jermyn Street received their Lottery Grant in 1997.[4] During this time, producer Chris Grady contributed to Jermyn Street Theatre's development. Princess Michael of Kent became the theatre's patron in 1995[5] and David Babani,[6] later the founder of the Menier Chocolate Factory, took over as artistic director in 1998 until 2001.
Jermyn Street Theatre has become a staple of London's off-west end studio theatre. It received a lot of attention following successful productions of Barefoot in the Park directed by Sally Hughes and starring Alan Cox and Rachel Pickup,[7] and Helping Harry directed by Nickolas Grace and starring Adrian Lukis and Simon Dutton.[8] In the late 2000s, under the artistic direction of Gene David Kirk,[9] Jermyn Street expanded its repertoire to include revivals of obscure plays such as the UK premiere of St John’s Night by Henrik Ibsen,[10] Little Eyolf starring Imogen Stubbs and Doreen Mantle by Henrik Ibsen,[11] and the postwar classic The River Line by Charles Morgan.[12] Samuel Beckett’s All That Fall, premiered at Jermyn Street Theatre in 2012, directed by Trevor Nunn and starring Eileen Atkins and Michael Gambon.[13] It then transferred to the Arts Theatre[14] and later would transfer to the New York’s 59E59 Theatre[15] In 2011, Jermyn Street Theatre received a Peter Brook Empty Space Award nomination. One year later, the theatre won The Stage 100 Best Fringe Theatre.[5]
Following the rising success of Jermyn Street Theatre under the artistic direction of Gene David Kirk was Anthony Biggs who took over as Artistic Director in 2013.[16] He focused on international playwrights and new works. During Biggs’ time, Jermyn Street Theatre produced a repertory season of South African drama and new works by Jonathan Lewis (A Level Playing Field)[17], Sarah Daniels (Soldiers’ Wives)[18], and American playwright Rae Spiegel (Dry Land)[19]. Biggs also revived The First Man by American playwright Eugene O’Neill,[20] First World War drama Flowers of the Forest by John Van Druten,[21] and First Episode, Terence Rattigan’s first play, directed by Tom Littler.[22]
In 2017, Tom Littler became Artistic Director.[23] His first production was the world premiere of Howard Brenton’s The Blinding Light[24]. This marked the sixth production Littler has directed at Jermyn Street Theatre. Previous credits include praised revivals of Stephen Sondheim’s Anyone Can Whistle[25] and Saturday Night[26] which transferred to the Arts Theatre.[27] Since Tom Littler's appointment as Artistic Director, Jermyn Street Theatre has been re-launched into a full-scale producing theatre,[23] with eight to ten productions making up an annual season. The theatre's creative output is focused on staging new plays, rare revivals, innovative adaptations of European classics, and outstanding musicals, alongside one-off literary events.[5] Jermyn Street Theatre is committed to ensuring that at least fifty percent of all on stage and off stage creatives are women.[5]
In 2018, Littler directed the first complete West End revival of Noël Coward’s Tonight at 8.30,[28] featuring a cast of nine actors playing 73 roles.[29] Jermyn Street Theatre often co-produces with regional theatres including York Theatre Royal, the Watermill Theatre, Theatre by the Lake, Theatre Royal Bath, Creation Theatre, the Stephen Joseph Theatre, and Guildford Shakespeare Company.
Productions
The Outsiders Season
- Cancelling Socrates by Tom Littler (2 June – July 2022)
- Orlando by Stella Powell-Jones (28 April – 28 May 2022)
- The Marriage of Alice B. Toklas by Gertrude Stein by Edward Einhorn (17 March – 16 April 2022)
- Rain and Zoe Save the World by Hersh Ellis (10 February – 12 March 2022)
- Thrill Me: The Leopold & Loeb Story by Matthew Parker (13 January – 5 February 2022)
The Encounters Season
- The Tempest by Tom Littler (25 November – 22 December 2021)
- Footfalls & Rockaby by Richard Beecham (3 November – 20 November 2021)
- A Splinter of Ice by Alan Strachan with Alastair Whatley (14 October – 30 October 2021
The Memories Season
- One Million Tiny Plays About Britain by Craig Taylor (4 December 2019 – 11 January 2020)
- All's Well That Ends Well by William Shakespeare (6 November – 30 November 2019)
- The Ice Cream Boys by Gail Louw (9 October – 2 November 2019)
- For Services Rendered by W. Somerset Maugham (2 September – 5 October 2019)
The Portrait Season
- Pictures of Dorian Gray by Oscar Wilde, adapted by Lucy Shaw (5 June – 6 July 2019)
- Miss Julie by August Strindberg, adapted by Howard Brenton (25 April – 1 June 2019)
- Creditors by August Strindberg, adapted by Howard Brenton (26 April – 1 June 2019)
- Mary’s Babies by Maud Dromgoole (20 March – 13 April 2019)
- Agnes Colander by Harley Granville Barker, revised by Richard Nelson (12 February – 16 March 2019)
- Original Death Rabbit by Rose Heiney (9 January – 9 February 2019)
The Rebels Season
- Burke and Hare by Tom Wentworth (28 November – 21 December 2018)
- Billy Bishop Goes To War by John Gray with Eric Peterson (31 October – 24 November 2018)
- Parents’ Evening by Bathsheba Doran (3 October – 27 October 2018)
- About Leo by Alice Allemano (5 September – 29 September 2018)
The Reaction Season
- Hymn to Love devised by Annie Castledine, Steve Trafford, Elizabeth Mansfield (25 July – 18 August 2018)
- The Play About My Dad by Boo Killebrew (27 June – 21 July 2018)
- Stitchers by Esther Freud (30 May – 23 June 2018)
- Tomorrow at Noon by Jenny Ayres, Emma Harding, Morna Young (24 April – 15 May 2018)
- Tonight At 8:30 by Noël Coward (10 April – 20 May 2018)
The Scandal Season
- The Dog Beneath The Skin by W.H. Auden, Christopher Isherwood (7 March – 31 March 2018)
- Hilda and Virginia by Maureen Duffy (27 February – 3 March 2018)
- Mad As Hell by Cassie McFarlane, Adrian Hope (7 February – 24 February 2018)
- Woman Before A Glass by Lanie Robertson (17 January – 3 February 2018)
The Escape Season
- The Hound of the Baskervilles by Sir Arthur Conan Doyle, adapted by Steven Canny and John Nicholson (6 December 2017 – 13 January 2018)
- Miss Julie by August Strindberg, adapted by Howard Brenton (14 November – 2 December 2017)
- Anything That Flies by Judith Burnley (18 October – 11 November 2017)
- The Blinding Light by Howard Brenton (6 September – 14 October 2017)
Awards and nominations
- Winner The Stage Awards Fringe Theatre of the Year (2021)[30]
- Shortlisted Broadway World Awards Best Performance Ensemble for Pictures of Dorian Gray (2019)[31]
- Winner The Stage Awards Fringe Theatre of the Year (2012)
Off West End theatre awards[32]
Year | Nominee / work | Award | Result |
---|---|---|---|
2023 | Kelly Burke, Natasha Byrne, Mark Huckett, Alyssa Simon / The Marriage of Alice B. Toklas by Gertrude Stein (2022) | Performance Ensemble | Nominated |
2023 | Machiko Weston / The Marriage of Alice B. Toklas by Gertrude Stein (2022) | Set Design | Nominated |
2023 | Matthew Parker / Thrill Me: The Leopold & Loeb Story (2022) | Director (Musical) | Nominated |
2023 | Bart Lambert, Jack Reitman, Benjamin McQuigg / Thrill Me: The Leopold & Loeb Story (2022) | Performance Ensemble | Nominated |
2023 | Thrill Me: The Leopold & Loeb Story (2022) | Production | Nominated |
2023 | Rachael Ryan / Thrill Me: The Leopold & Loeb Story (2022) | Set Design | Nominated |
2023 | Chris McDonnell / Thrill Me: The Leopold & Loeb Story (2022) | Lighting Design | Nominated |
2023 | Simon Arrowsmith / Thrill Me: The Leopold & Loeb Story (2022) | Sound Design | Nominated |
2022 | Tom Littler | Artistic Director (Special Award) | Won |
2022 | Justin Teasdale, Thom Townsend & Jamie Kubisch Wiles / Lone Flyer (2021) | Sound Design | Nominated |
2022 | Hannah Edwards / Lone Flyer (2021) | Lead Performance in a Play | Nominated |
2022 | Benedict Salter / Lone Flyer (2021) | Supporting Performance in a Play | Finalist |
2022 | Lucy Betts / Lone Flyer (2021) | Director | Won |
2022 | Footfalls & Rockaby (2021) | Production | Nominated |
2022 | Lone Flyer (2021) | Production | Nominated |
2022 | This Beautiful Future (2021) | Production | Finalist |
2021 | Michael Pennington / The Tempest (2020) | Lead Performance in a Play | Nominated |
2020 | Stanton Wright, Helen Reuben, Augustina Seymour, Richard Keightley / Pictures of Dorian Gray (2019) | Performance Ensemble | Nominated |
2020 | Gavin Fowler, Hannah Morrish, Miranda Foster, Robert Mountford, Stefan Bednarczyk, Ceri-Lyn Cissone / All’s Well That Ends Well (2019) | Performance Ensemble | Nominated |
2020 | Sally Scott / Agnes Colander (2019) | Female Performance in a Supporting Role in a Play | Nominated |
2020 | Naomi Frederick / Agnes Colander (2019) | Female Performance in a Play | Nominated |
2020 | Emma Barclay / One Million Tiny Plays About Britain (2019) | Female Performance in a Play | Nominated |
2020 | Malcolm Rennie / Shakleton’s Carpenter (2019) | Male Performance in a Play | Nominated |
2020 | Tom Littler / All’s Well That Ends Well (2019) | Director | Finalist |
2020 | Trevor Nunn / Agnes Colander (2019) | Director | Nominated |
2020 | Tom Littler / Creditors (2019) | Director | Nominated |
2020 | Laura Keefe / One Million Tiny Plays About Britain (2019) | Director | Nominated |
2020 | All’s Well That Ends Well (2019) | Production | Nominated |
2020 | Robert Jones / Agnes Colander (2019) | Costume Design | Nominated |
2020 | Emily Stuart / Pictures of Dorian Gray (2019) | Costume Design | Nominated |
2020 | Paul Pyant / Agnes Colander (2019) | Lighting Design | Nominated |
2020 | Robert Jones / Agnes Colander (2019) | Set Design | Nominated |
2020 | William Reynolds / Pictures of Dorian Gray (2019) | Set Design | Nominated |
2020 | Neil Irish and Annet Black / All’s Well That Ends Well (2019) | Set Design | Nominated |
2020 | Ceci Calf / One Million Tiny Plays About Britain (2019) | Set Design | Nominated |
2020 | Matt Eaton / All’s Well That Ends Well (2019) | Set Design | Won |
2020 | Matt Eaton / Pictures of Dorian Gray (2019) | Set Design | Nominated |
2019 | Sinead Cusack / Stitchers (2018) | Female Performance in a Play | Nominated |
2019 | Miquel Brown / The Play About My Dad (2018) | Female Performance in a Play | Nominated |
2019 | Elizabeth Mansfield / Hymn To Love (2018) | Female Performance in a Play | Nominated |
2019 | Tonight at 8:30 (2018) | Ensemble | Nominated |
2019 | Burke and Hare (2018) | Ensemble | Nominated |
2019 | Tom Littler / Tonight at 8:30 (2018) | Director | Nominated |
2019 | Abigail Pickard Price / Burke and Hare (2018) | Director | Nominated |
2019 | Tonight at 8:30 (2018) | Production | Nominated |
2019 | Max Pappenheim / Stitchers (2018) | Sound Design | Nominated |
2019 | Louie Whitemore / Tonight At 8:30 (2018) | Set Design | Nominated |
2019 | Liz Cooke / Stitchers (2018) | Set Design | Nominated |
2019 | Daisy Blower / Billy Bishop Goes To War (2018) | Set Design | Nominated |
2018 | Stephen Unwin / All Our Children (2017) | Most Promising New Playwright | Finalist |
2016 | Neil Irish / First Episode (2015) | Set Design | Finalist |
2016 | Tim Sanders and Charles Miller / Return of the Soldier (2015) | New Musical | Finalist |
2014 | Eileen Atkins / All That Fall (2013) | New Musical | Won |
2013 | Howard Hudson / Burlesque (2012) | Lighting Design | Won |
2013 | Burlesque (2012) | New Musical | Won |
2012 | Emily Stuart / Anyone Can Whistle (2011) | Costume Design | Won |
References
- Morning Advertiser, 30 August 1838
- "Jermyn Street Theatre | Theatre in Piccadilly Circus, London". Time Out London. Retrieved 18 March 2019.
- www.bloomberg.com https://www.bloomberg.com/research/stocks/private/person.asp?personId=266606470&privcapId=266001736&previousCapId=266001736&previousTitle=THE+STABLE+(MTUK)+Ltd. Retrieved 18 March 2019.
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(help) - "Jermyn Street Theatre". British Theatre. Retrieved 18 March 2019.
- Theatre, Jermyn Street. "Jermyn Street Theatre, Off West End venue". theatre.london. Retrieved 18 March 2019.
- Maxwell, Dominic (17 May 2017). "Babani and the chocolate factory". The Times. ISSN 0140-0460. Retrieved 18 March 2019.
- "Archive for Barefoot in the Park at Jermyn Street Theatre, London. 2000. [PLAY]". www.uktw.co.uk. Retrieved 18 March 2019.
- "Review of Helping Harry". www.cix.co.uk. Retrieved 18 March 2019.
- Smith, Alistair (9 December 2008). "Jermyn Street Theatre appoints first artistic director in a decade | News". The Stage. Retrieved 18 March 2019.
- Limited, London Theatre Direct (25 May 2012). "Jermyn Street Theatre Presents The UK Premier of Henrik Ibsen'S St John's Night". www.londontheatredirect.com. Retrieved 18 March 2019.
- Spencer, Charles (6 May 2011). "Little Eyolf, Jermyn Street theatre, review". Daily Telegraph. ISSN 0307-1235. Retrieved 18 March 2019.
- "The River Line, Jermyn Street Theatre, London". The Independent. 14 October 2011. Retrieved 18 March 2019.
- Billington, Michael (12 October 2012). "All That Fall - review". The Guardian. ISSN 0261-3077. Retrieved 18 March 2019.
- Merrifield, Nicola (24 October 2012). "Beckett's All That Fall transfers to Arts Theatre | News". The Stage. Retrieved 18 March 2019..
- "Atkins & Gambon Fall for Beckett at 59E59". StageBuddy.com. 3 October 2013. Retrieved 18 March 2019.
- Smith, Alistair (16 October 2012). "Gene David Kirk to leave Jermyn Street | News". The Stage. Retrieved 18 March 2019.
- "A Level Playing Field, Jermyn Street - theatre review: closer in tone". Evening Standard. 21 April 2015. Retrieved 18 March 2019.
- "Soldier's Wives at the Jermyn Street Theatre". London Theatre Guide. 10 January 2012. Retrieved 18 March 2019.
- Pringle, Stewart. "Dry Land review at Jermyn Street Theatre, London 'astonishingly fresh and honest'". The Stage. Retrieved 18 March 2019.
- Billington, Michael (12 October 2015). "The First Man review – the ego cometh in Eugene O'Neill's early drama". The Guardian. ISSN 0261-3077. Retrieved 18 March 2019.
- "Flowers of the Forest". Ardent Theatre Company. Retrieved 18 March 2019.
- BWW News Desk. "Caroline Langrishe to Star in FIRST EPISODE at Jermyn Street Theatre". BroadwayWorld.com. Retrieved 18 March 2019.
- Hemley, Matthew (3 February 2017). "Tom Littler to replace Anthony Biggs as artistic director of Jermyn Street Theatre | News". The Stage. Retrieved 18 March 2019.
- Higgs, Frances (26 September 2017). "Review: The Blinding Light, Jermyn Street Theatre". A Younger Theatre. Retrieved 18 March 2019.
- "Theatre review: Anyone Can Whistle at Jermyn Street Theatre". British Theatre Guide. Retrieved 18 March 2019.
- Time Out London, Jermyn Street Theatre. "Saturday Night at Jermyn Street Theatre - Fringe". Time Out London. Retrieved 18 March 2019.
- "Saturday Night with Helena Blackman at Arts Theatre". London Theatre Guide. 14 March 2009. Retrieved 18 March 2019.
- "Jermyn Street Theatre announces nine-play Noël Coward series in new season | WhatsOnStage". www.whatsonstage.com. Retrieved 18 March 2019.
- "Tonight at 8.30: 'This is Noel Coward at his finest' | Review". LondonTheatre1.com. 23 April 2018. Retrieved 18 March 2019.
- "The Stage Awards winners 2021: Jermyn Street Theatre, fringe theatre of the year". The Stage. The Stage. 6 January 2021. Retrieved 17 March 2022.
- Swain, Marianka. "Shortlist Announced For The 2019 BroadwayWorld UK Awards; Voting Now Open!". BroadwayWorld.com.
- "2020 Awards Ceremony". The Offies.