Southern hip hop

New Orleans rapper Lil Wayne

Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast. Los Angeles and New York City were the two main cities where hip hop was receiving widespread attention. The West Coast was mainly represented by groups like N.W.A., Death Row Records, and the East Coast had people like The Notorious B.I.G. and groups like the Wu-Tang Clan, Mobb Deep and Bad Boy Records.[6] In the late 1980s, cities throughout the Southern United States began to catch on to the hip hop music movement.[6] The Geto Boys, a hip hop group from Houston, were among the first hip hop artists from the Southern United States to gain widespread popularity. Southern hip hop's roots can be traced to the success of Geto Boys' Grip It! On That Other Level in 1989, the Rick Rubin produced The Geto Boys in 1990, and We Can't Be Stopped in 1991.[7]

By the mid-1990s, Atlanta had become a center in southern hip hop music. Local production crews such as Organized Noize that represented hip hop groups such as OutKast and Goodie Mob played a huge part in helping the South become a center for hip hop music.[8][9][10]

A defining moment for Southern rap was at the 1995 Source Awards. The duo Outkast had just been awarded Best New Artist, and within the tension that was the East Coast–West Coast feud, member André came up on stage followed by boos and said, "But it's like this though, I'm tired of them closed minded folks, it's like we gotta demo tape but don't nobody want to hear it. But it's like this: the South got something to say, that's all I got to say." As stated by rapper T.I., "Outkast, period. Outkast. That's when it changed. That was the first time when people began to take Southern rap seriously."[11]

The most successful Southern independent labels during the mid-to-late 90s came out of the cities of Memphis and New Orleans. Both scenes borrowed heavily from a production style first introduced by way of the obscure late-1980s New York rap group The Showboys, heavily sampling the beats from their song "Drag Rap (Trigger Man)."[12] By the early 2000s these scenes found mainstream success through Cash Money Records and No Limit Records out of New Orleans and Hypnotize Minds out of Memphis, revolutionizing financial structures and strategies for independent Southern rap labels. According to hiphopdx, "Not only is the South on the radar, but now the region that was an underdog is the barometer for rap music and hip-hop culture.”[13] By the early to mid-2000s, artists from all over the South had begun to develop mainstream popularity with artists like Slim Thug, Paul Wall, Mike Jones, Lil Keke from Houston, T.I., Ludacris, Bubba Sparxxx, Lil Jon, Young Jeezy from Atlanta, Trick Daddy and Rick Ross from Miami, Master P B.G., Lil Wayne and Juvenile from New Orleans, and Three 6 Mafia from Memphis all becoming major label stars during this time.[14][15]

The height of Southern hip-hop was reached from 2002 through 2004. In 2002, Southern hip-hop artists accounted for 50 to 60 percent of the singles on hip-hop music charts. On the week of December 13, 2003, Southern urban artists, labels and producers accounted for six of the top 10 slots on the Billboard Hot 100: OutKast had two singles, Ludacris, Kelis (produced by The Neptunes), Beyoncé and Chingy (on Ludacris' Disturbing Tha Peace label). In addition to this, from October 2003 through December 2004, the number one position on the Billboard Hot 100 pop chart was held by a Southern urban artist for 58 out of 62 weeks. This was capped by the week of December 11, 2004 when seven out of the top ten songs on the chart were held by or featured Southern urban artists. In 2004, Vibe magazine reported that Southern artists accounted for 43.6% of the airplay on urban radio stations (compared to 29.7% for the Midwest, 24.1% for the East Coast and 2.5% for the West coast).[16]

In the late 1990s "bounce" music was born in New Orleans. Master P established No Limit Records. In 1992, Cash Money Records was founded, releasing bounce and gangsta rap music.

The single "Throw The D" by the group 2 Live Crew in January 1986 was the first Miami bass song. Fresh Kid Ice (Christopher Wong Won) said that the song came about when he noticed a new popular dance in Miami, when the Herman Kelly and Life's song "Dance to the drummer's beat" played.[17] 2 Live Crew released hit album "As Nasty As They Wanna Be" in 1989.[18]

Three 6 Mafia are from Memphis, Tennessee.[19]
Yo Gotti is from Memphis, Tennessee.[20] The late rapper Young Dolph is from Memphis, Tennessee.

Gangsta rap group Dirty are from Montgomery, Alabama.[21]

In 2009, the New York Times called Atlanta "hip-hop's center of gravity",[22] and the city is home to many famous hip-hop, R&B and neo soul musicians.[23]

In the 1980s and early 1990s, Atlanta's hip hop scene was characterized by a local variant of Miami bass, with stars like Kilo Ali and DJ Smurf (later Mr. Collipark).[22][24]

By the mid-1990s, the rise of OutKast, Goodie Mob[25] and the production collective Organized Noize, let to the development of the Dirty South style of hip-hop and of Atlanta gaining a reputation for "soul-minded hip-hop eccentrics", contrasting with other regional styles. August 3, 1995 Outkast received the award for best new artist in New York City at the Source Awards. At the time the primary hip hop heard nationally was from artists on the East and West Coasts, due at least in part to high profile disputes between rappers from each coast. It was groups such as Outkast who were determined to let the world know that the South had something to say.[22]

In 2009, the New York Times noted that after 2000, Atlanta moved "from the margins to becoming hip-hop's center of gravity, part of a larger shift in hip-hop innovation to the South." This had a lot to due with the massive popularity of Waka Flocka Flame's 2009 debut mixtape. Producer Drumma Boy called Atlanta "the melting pot of the South". Producer Fatboi called the Roland TR-808 ("808") synthesizer "central" to Atlanta music's versatility, used for snap, crunk, trap, and pop rap styles.[22] The same article named Drumma Boy, Fatboi, Shawty Redd, Lex Luger and Zaytoven the five "hottest producers driving the city".[22]

Hip Hop artist Z-Ro from Houston, Texas

In the late 1980s, the Geto Boys were Houston's first rap group to gain mainstream popularity. In the early 1990s, Texas rap groups such as Nemesis, PKO, and UGK (from Dallas, San Antonio, and Port Arthur respectively) also gained popularity. Before the early 1990s, most Southern hip hop was upbeat and fast, like Miami bass and crunk. In Texas, however, the music started to become slower. In the early 1990s DJ Screw created "chopped and screwed" music. Although people associated with Screw have indicated any time between 1987 and 1991, Screw said he started slowing music down in 1990. In Tulsa, Oklahoma, Dj Dinero And Dj Z-Nasty helped popularize Chopped And Screwed music in the Mid South.[26] There is no debate, however, that DJ Screw invented the music style.[27]

Between 1991 and 1992, there was increased abuse of purple drank in East Texas. Purple drank was a major influence in chopped and screwed music due to its effect of slowing down perception. DJ Screw said that purple drank is not required to enjoy screwed and chopped music. Screw, a known user of purple drank, said he came up with chopped and screwed music when high on marijuana.[26]

As the spread of Southern hip hop continued, its mainstream breakthrough occurred in 2000. Rap duo UGK made a high-profile guest appearance on Jay-Z's smash hit "Big Pimpin'" and also appeared on Three 6 Mafia's hit "Sippin' on Some Syrup." Both of these collaborations greatly increased their reputation and helped fuel anticipation for their next project.The Hip Hop world was ready for the next adventure but unfortunately the UGK rapper Pimp C died from a sudden heart attack after overdosing on purple drank on December 4, 2007 at the age of 33. A song that originally appeared on the compilation album The Day Hell Broke Loose 2, Mike Jones' "Still Tippin'", which achieved mainstream success in 2004 leading to local Houston rap label Swishahouse signing a national distribution deal with Asylum Records. Jones released his major label debut, Who Is Mike Jones?, on Swishahouse/Warner Bros. in April 2005; the album Who is Mike Jones? went certified platinum that June.[28] Paul Wall's major label debut, The Peoples Champ, on Swishahouse/Atlantic, was released in September 2005, eventually topping the Billboard 200.[29] Before embarking on his rap career and while still at school, Wall was also working in the Swishahouse office.[30]

The beginning of North Carolina's roots in the rap game starts with Biggie Smalls, who lived in the Triangle (which consists of parts of Raleigh, Durham & Chapel Hill) area in the 1990s before moving to NYC.

Around the same time, Ski Beatz (of Greensboro NC) produced "Dead Presidents" on Jay-Z's album "Reasonable Doubt", which was released in 1996.

Around this same time, 9th Wonder (of Winston-Salem NC) joined a group named Little Brother with fellow members Big Pooh and Phonte (of Durham NC).(9th Wonder left Little Brother in 2007 to solo produce, becoming one of the top 10 most successful hip hop producers of all time).

North Carolina did not hit the mainstream hip hop map until 2001 with Petey Pablo's "Raise Up". This song was wildly successful and helped shine a much-needed national spotlight on North Carolina's burgeoning rap industry, along with some of its biggest names, along with some longtime NC rappers: Rapsody, King Mez, Kooley High, Ignite Mindz, Drique London, SkyBlew, Azon Blaze, Donovan McCray, Lazarus, Thee Tom Hardy, Big K.R.I.T., Troop 41, Bryce Snow, Slum Village, Lute, Deniro Farrar, Justus League, Edgar Allen Floe, L.E.G.A.C.Y., Kaze, Banknote Mitch, Khrysis, Keaton, Wells, Tucson, Ghost Dog, & many more.

North Carolina really reached full acceptance into Hip Hop's heights with the rise of J Cole and his Dreamville Records (Fayetteville NC) in the early 2010s, which still see successful Dreamville Music Festivals being organized and thrown annually in 2021.

Another artist you have to mention when talking about NC Hip Hop is DaBaby, hailing from Charlotte NC. Although sometimes drawing attention from self-created controversies...his lyrical skills, mixed with his exposure and unique voice, make him a force to be reckoned with on the microphone, whether you love him or hate him.

There are several up-and-coming artists you should currently be on the lookout from North Carolina, who are guaranteed to bring their own take on Southern Hip Hop, even from old names like Deuce.

sources: 1. https://m.ranker.com/list/best-north-carolina-rappers/ranker-hip-hop

2. https://www.ncpedia.org/hip-hop-north-carolina

Lil Ugly Mane is a hip hop musician who experimented with influences of Southern hip hop, specifically Memphis rap, on his 2012 album Mista Thug Isolation.[31]

The term crunk is mainly used to denote a musical style that was originated by Three Six Mafia in Memphis, Tennessee, in the mid-to-late 1990s. It was popularized by Atlanta rapper Lil Jon,[32] and gained mainstream popularity in the period 2003–04.[33] A typical crunk track uses a drum machine rhythm, heavy bassline, and shouting vocals, often in call and response manner.[33]

• G funk
• Mumble rap
• Trap music
• Snap music
• African-American music
• Music of Atlanta
• Music of Miami
• Phonk
• Hip hop in Washington, D.C.

• Culture Wars. Rodney Carmichael
• A Musical Journey Through Atlanta's Hip-hop History. Stephen Fowler
• A Brief History On How We Became The Hub Of Hip-hop & Rap. Kelsey Glass
• Rap, Hip-hop, and Bounce Music. Matt Miller
• A Brief History Of New Orleans' Bounce Music Style. Rebeca Trejo

Film New Flavors: The Emergence of Southern Hip Hop (2008)

Best North Carolina Rappers Ranked (2021)

Hip Hop in North Carolina (2012)

• News about Southern hip hop artists
• Matt Miller, "Dirty Decade: Rap Music and the U.S. South, 1997-2007", Southern Spaces, June 10, 2008.