Sue Kneebone
Sue Kneebone (born 1963) is an Adelaide-based artist and arts educator who lectures at Adelaide Central School of Art.
Sue Kneebone  | |
|---|---|
| Born | 1963 | 
| Nationality | Australian | 
| Education | Victorian College of the Arts, University of South Australia | 
| Known for | Ceramics, Assemblage, Photomontage | 
| Awards | Qantas Contemporary Art Award (2011) | 
| Website | suekneebone | 
Biography
    
Sue Kneebone was born in 1963.[1] She has a Bachelor of Fine Art (Hons) (1998) and a Masters in Fine Arts (2000) from Victorian College of the Arts (2000) as well as a PhD from the University of South Australia (2010).[2][3]
She has held exhibitions in Australia and the Republic of Ireland,[4][5] and in 2014 featured in Episode 2 of Hannah Gadsby's three-part series on Australian art, Oz.[6][7]
Work
    
Kneebone began as a ceramicist but expanded her art practice to include photomontage and other mixed media. Through her ceramics, photomontages and assemblages, she explores questions of cultural identity through her own family history,[8][9] as well as the impact of empire on the Australian landscape.[10][11] She has been described as combining “a hypnotic storyteller with the backbone of an archaeologist”.[12]
She uses text in her work to create word art, which featured in a 2018 exhibition of word art in the Hugo Mitchell Gallery in Adelaide.[13]
Awards and recognition
    
Kneebone was the South Australian recipient of the Qantas Foundation Contemporary Art Travel Award in 2011.[14][15]
Collections
    
Kneebone's works are held in the collection of the Art Gallery of South Australia.[1][16]
References
    
- "Sue Kneebone". Art Gallery of South Australia. Retrieved 10 January 2022.
 - Kneebone, Sue; Jones, Philip G (2010). Naturally disturbed. Adelaide, SA: SASA Gallery, University of South Australia. ISBN 9780980726145. OCLC 670029015.
 - Kneebone, Sue (12 November 2015). "Dark Manners". Craft + Design Enquiry (7). doi:10.22459/cde.07.2015.02.
 - "Border Crossings exploring colonialism". Wayback Machine. Galway International Festival of Arts. 21 October 2016. Archived from the original on 21 October 2016. Retrieved 27 March 2019.
 - Dunne, Aidan (19 July 2016). "When Ballymun was all towering promise; Vulnerable bodies and the dispossessed also feature in three exhibitions at Galway International Arts Festival". The Irish Times. p. 10.
 - "HANNAH GADSBY'S OZ - Episode 2 Trailer - Airs March 18th 10pm ABC1". 12 February 2014. Retrieved 27 March 2019.
 - "Hannah Gadsby's Oz - Artist Q &A: 'Why is it important to challenge history'?". 12 February 2014. Retrieved 27 March 2019.
 - Nunn, Louise (1 March 2014). "Interpretation of colonial days also addresses present". The Advertiser (Adelaide). p. 69.
 - "Sue Kneebone: Spurious Natures - Art Collector". www.artcollector.net.au. Retrieved 28 March 2019.
 - "Testing Ground Salamanca Arts Centre". www.salarts.org.au. Retrieved 28 March 2019.
 - Jacket, Amy (2013). "Testing Ground". Artlink. 33 (2): 134.
 - Evans, Annika (2010). "Naturally Disturbed". Eyeline. 72: 95.
 - Sigglekow, Zara (30 August 2018). "Artists use text in Word". Art Guide Australia. Retrieved 19 May 2021.
 - Nunn, Louise (9 May 2013). "Artwork that can be devoured with logic". The Advertiser (Adelaide). p. 31.
 - "Manifest 2: Sue Kneebone Dark Manners (CACSA) | South Australia | Australia". Scribd. Retrieved 28 March 2019.
 - "Sue Kneebone". Art Guide Australia. 14 June 2016.
 
Further reading
    
- Kneebone, Sue; Jones, Philip G.; Knights, Mary (2010), Naturally Disturbed: 6 April - 7 May 2010 (Exhibition catalogue, from an exhibition at the SASA Gallery.), University of South Australia
 - "12 Works by Sue Kneebone". Cordite Poetry Review. 30 April 2018.