Samuil Feinberg
Samuil Yevgenyevich Feinberg (Russian: Самуи́л Евге́ньевич Фе́йнберг, also Samuel; 26 May 1890, Odessa – 22 October 1962, Moscow) was a Russian and Soviet composer and pianist.
Biography
    
Born in Odessa, Feinberg lived in Moscow from 1894 and studied with Alexander Goldenweiser at the Moscow Conservatory.[1] He also studied composition privately under Nikolai Zhilyayev.[2] He graduated from the Conservatory in 1911, after which he embarked upon a career as a solo pianist, while composing on the side. However, he was soon sent to fight in the First World War for Russia until he became ill and was discharged.[3] In 1922, he joined the faculty at the Moscow Conservatory, relaunching his pianistic career.[4] By 1930, due to the political repressions in Stalin's Russia, Feinberg's concert activities became limited. He made only two foreign trips in the 1930s: Vienna in 1936 and Brussels in 1938; hence he is generally not well known outside Russia. In 1946, he was awarded the Stalin Prize.[5]
Feinberg was the first pianist to perform the complete The Well-Tempered Clavier by Bach in concert in the USSR.[6] He is most remembered today for his complete recording of it, and many other works from the classical and romantic eras. He also composed three piano concertos, a dozen piano sonatas (private recordings exist of him playing his piano Sonatas 1, 2, 9 and 12[7]), as well as fantasias and other works for the instrument. Pianist Tatiana Nikolayeva said that each of his sonatas was a "poem of life". Feinberg has been called "A musical heir to Scriabin",[8] who heard the young pianist play his fourth sonata and praised it highly.[9]
He was a life-long bachelor. He lived with his brother Leonid, who was a poet and painter. He died in 1962, aged 72.
Honours and awards
    
- Stalin Prize – 1946
 - Order of Lenin
 - Honoured Artist of the RSFSR (1937)
 
Works
    
    Compositions for solo piano
    
- Op. 1: Piano Sonata No. 1 (1915)
 - Op. 2: Piano Sonata No. 2 (1915)
 - Op. 3: Piano Sonata No. 3 (1917)
 - Op. 5: Fantasia No. 1 (1917)
 - Op. 6: Piano Sonata No. 4 (1918)
 - Op. 8: Four Preludes (1920)
- Allegretto
 - Misterioso
 - Tumoltuoso
 - Con moto
 
 - Op. 9: Fantasia No. 2 (1921)
 - Op. 10: Piano Sonata No. 5 (1921)
 - Op. 11: Suite No. 1 (1922)
 - Op. 13: Piano Sonata No. 6 (1923)
 - Op. 15: Three Preludes (1922)
- Allegro affanato e molto rubato
 - Andante con tenerezza
 - Presto
 
 - Op. 17: Two Cadenzas to Beethoven's Piano Concerto No. 4 (1930-1935)
 - Op. 19: Humoresque
 - Op. 19a: Berceuse
 - Op. 21: Piano Sonata No. 7 (1925)
 - Op. 21a: Piano Sonata No. 8 (1928)
 - Op. 24a: Two Chuvash Melodies
 - Op. 25: Suite No. 2 (1936)
 - Op. 27a: Three Melodies (1938)
- Georgian Song
 - Tartar Song
 - Armenian Song
 
 - Op. 29: Piano Sonata No. 9 (1939)
 - Op. 30: Piano Sonata No. 10 (1940–44)
 - Op. 31: 3 Transcriptions of symphonies of Tchaikovsky (1942)
- 'Andante marziale' from Symphony No. 2, Op. 17
 - 'Waltz' from Symphony No. 5, Op. 64
 - 'Allegro molto vivace' from Symphony No. 6, Op. 74
 
 - Op. 33: Two Pieces (1947)
- Tale
 - Procession
 
 - Op. 35: Transcriptions of works of J.S. Bach (1925-1934)
 - Op. 37: Transcription of Prelude and Fugue in E Minor, BWV 548 by J.S. Bach (1937-1948?)
 - Op. 38: Transcription of Largo from Organ Sonata No.5 in C Major, BWV 529 by J.S. Bach (1935-1938?)
 - Op. 40: Piano Sonata No. 11 (1952)
 - Op. 41: 4 Cadenzas to Mozart's Piano Concerto, K.467 (1952?)
 - Op. 42: Transcription of Nocturne from String Quartet No.2, by A. Borodin (1942-1943?)
 - Op. 43: 3 Transcriptions of Tchaikovsky's Songs, Op.54 (1942-1943?)
 - Op. 45: Rhapsody on Kabardino-Balkarian Themes (1961)
 - Op. 48: Piano Sonata No. 12 (1962)
 
Concertante
    
- Op. 20: Piano Concerto No. 1 in C major (1931)
 - Op. 36: Piano Concerto No. 2 in D major (1944)
 - Op. 44: Piano Concerto No. 3 in C minor (1947)
 
For piano and voice
    
- Op. 4: Two Romances after Alexander Pushkin and Mikhail Lermontov
- Заклинание (Incantation)
 - Из-под таинственной, холодной полумаски (Behind the Mysterious Cold Half-Mask)
 
 - Op. 7: Three Romances after Alexander Blok
- Голоса (снежная ночь) – Voices (Snowy Night)
 - И я опять затих у ног (снежная ночь) – Once more I'm silent at your feet (Snowy Night)
 - В бездействии младом (стихи о прекрасной даме) – In Youthful indolence
 
 - Op. 14: Four Romances after Valery Bryusov, Alexander Blok, and Andrei Bely (1917, unpublished)
 - Op. 16: Three Romances after Alexander Pushkin (1923)
- Анчар – Anchar
 - Друг мой милый – My Beloved
 - Напрасно я бегу к Сионским высотам – In vain I hasten onto the heights of Sion
 
 - Op. 18 – 5 National Songs (1932)
- Лох-Ломонд (Шотландская)
 - Хоровод (Английская)
 - Деревенская девушка (Английская)
 - Похищение из Тюэри (Ирландская)
 - Ночная песнь рыбаков (Валлийская)
 
 - Op. 22: Two Songs after Aleksandr Zharov (1932)
 - Op. 23: Three Songs (1938)
 - Op. 23a: Song after Dmitry Dolgonemov (1934)
 - Op. 24: 25 Chuvash Songs after Yuri Stremin (1935-1936)
 - Op. 26: Eight Romances after Alexander Pushkin (1936)
- Не пой, красавица, при мне... – Do not sing, my beauty, to me
 - Зимний вечер – Winter Evening
 - Под небом голубым страны своей родной – Under the blue skies of her native land
 - Туча – Cloud
 - Три ключа – Three Springs
 - Я помню чудное мгновенье – I Remember a Wonderful Moment
 - Сожженное письмо – The Burned Letter
 - Няне — Подруга дней моих суровых... – To Nanny – My friend through my travails, woes hardest..
 
 - Op. 27: 12 Songs (1935-1937)
 - Op. 28: Seven Romances after Mikhail Lermontov (1940)
- Дубовый листок – Oak Leaf
 - Пленный рыцарь – The Imprisoned Knight
 - Сон – The Dream
 - Еврейская мелодия – Hebrew Melody
 - Русалка – The River Sprite
 - Нет, не тебя так пылко я люблю – No, it's not you I love so hotly
 - Выхожу одни я но дорогу – Onto the Highway, on my own, I walk
 
 - Op. 32: 3 Songs after Sergei Severtsev and Sergei Gorodetsky
 - Op. 34: 6 Kabardian Songs (1941)
 - Op. 39: 4 Songs after Yuri Stremin (1939)
 - Op. 47: Maritsa, after Yugoslavian Folk Poetry (1958)
- Марица – Maritsa
 - Первая любовь – The First Love
 - Девушка и конь – The Horse and The Girl
 - Разговор со смертью – Conversation with Death
 - Македонская девушка – Macedonian Girl
 - Уж как выпал снег... – Ah, How Fell The Snow
 - Колыбельная – Lullaby
 - Ожидание – Waiting
 
 
Violin sonatas
    
- Op. 12: Violin Sonata No. 1 (1912, incomplete)
 - Op. 46: Violin Sonata No. 2 (1955–56)
 
References
    
- Sokolov, M. G., ed. (1990). Pianists in Conversation (First ed.). Moscow.
 -  Sitsky, Larry (1994). Music of the Repressed Russian Avant-garde, 1900–1929. Greenwood Publishing Group. p. 183. ISBN 9780313267093. 
samuil feinberg.
 - Figowy, Nicolo-Alexander (2020). Samuil Feinberg Piano Sonatas 1-6 (booklet notes). Marc-André Hamelin. Hyperion Records. CDA68233.
 - Cummings, Robert. "Samuel Feinberg". AllMusic. Retrieved 4 January 2016.
 - The Great Soviet Encyclopedia 1970–1979 (Third ed.). Samuil Feinberg.
 - Sirodeau, Christopher. "Samuil Feinberg". International Feinberg–Skalkottas Society. Retrieved 4 January 2016.
 - Samuil Feinberg plays Feinberg – home recordings! playlist on YouTube
 - Bogat, Leni. "Samuil Feinberg (1890–1962): Russian Pianist and Composer". Forte-Piano-Pianissimo.Com. Retrieved 4 January 2016.
 - Feinberg Sonata 4 published in 1918, Scriabin dead in 1915.
 
External links
    
- Skalkottas Feinberg Society
 - Samuil Feinberg discography at Discogs
 - Samuel Fineberg: Scores at the International Music Score Library Project
 - Works by or about Samuil Feinberg at Internet Archive
 - 'The Composer and The Performer' at Stanford School of Mathematics