Panchaloha

Panchaloha (Sanskrit: पञ्चलोह), also called Pañcadhātu (Sanskrit: पञ्चधातु, lit.'five metals'), is a term for traditional five-metal alloys of sacred significance, used for making Hindu temple murti and jewelry.[1]

Example of a murti statuette made from Panchaloha

Composition

The composition is laid down in the Shilpa shastras, a collection of ancient texts that describe arts, crafts, and their design rules, principles and standards. Panchaloha is traditionally described as an alloy of gold, silver, copper, zinc, and iron. Also, in some cases tin or lead are used instead of zinc. It is believed that wearing jewellery made of such an alloy brings balance in life, self-confidence, good health, fortune, prosperity, and peace of mind.[2]

In Tibetan culture, it was considered auspicious to use thokcha (meteoric iron) either as a component of the alloy in general or for a specific object or purpose. The amount used could vary, depending upon the material's availability and suitability, among other considerations. A small, largely symbolic quantity of "sky-iron" might be added, or it might be included as a significant part of the alloy-recipe.[3]

See also

Media related to Panchaloha at Wikimedia Commons

  • Ashtadhatu  An alloy of eight metals used for casting idols for Jain and Hindu temples in India
  • High-entropy alloys
  • Bronze  Metal alloy consisting of copper and tin
  • Brass  Alloy of copper and zinc
  • Orichalcum  Fabulous metal mentioned in ancient writings, such as the story of Atlantis in the Critias of Plato
  • Corinthian bronze  Highly valuable metal alloy in classical antiquity
  • Hepatizon  Alloy also known as Black Corinthian Bronze
  • Electrum  Alloy of gold and silver
  • Tumbaga  Non-specific alloy of gold and copper used in pre-Columbian Mesoamerica
  • Shakudō  Japanese copper and gold alloy
  • Shibuichi  Historically Japanese copper alloy
  • Thokcha  Tibetan meteoric iron

References

  1. "What is Panchaloha idol (murti) – components and percentage used?". www.hindu-blog.com.
  2. B. Ravi (2003), Investment casting development - Ancient and Modern Approaches, National Conference on Investment Casting Central Mechanical Engineering Research Institute, Durgapur, IIT Bombay
  3. "John Vincent Bellezza: Thogchags, Ancient Amulets of Tibet". www.asianart.com.

Further reading

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