Léo Staats
Léo Staats (1877 - 1952) was a French dancer, choreographer and director.
Léo Staats  | |
|---|---|
| Born | 1877 | 
| Died | 1952 | 
| Nationality | French | 
| Known for | Dance and choreography | 
| Movement | Ballet | 
Life and career
    
Léo Staats studied ballet with Francis Merante, a dancer at the Paris Opera, and reportedly made his debut in 1887. In 1908 he became Ballet Master at the Paris Opera.[1] From 1926-28 he served as the first choreographer for shows at the Roxy movie palace in New York City.[2] His choreography style was described as Neo-classical.[3]
Works
    
Selected works include:
- La nuit de Valpurgis (Faust) (1908, Gounod)
 - Namouna (1908, Lalo)
 - Javotte (1909, Saint-Saëns)
 - Espana (1911, Chabrier)
 - Les folies françaises ou Les Dominos (1911, Couperin)
 - Les abeilles (1917, Stravinsky)
 - Taglioni chez Musette (1920, Auber, Boieldieu, Meyerbeer, Weckerlin)
 - Frivolant (1922, Poueigh)
 - Cydalise et le Chèvre-pied (1923, Pierné)
 - La nuit ensorcelée (1923, Chopin)
 - Siang-Sin (1923, Huë)
 - Istar (1924, D'Indy)
 - Soir de fête (1925, Delibes)
 - Orphée (1926, Ducasse)
 - La prêtresse de Koridwen (1926, Ladmirault)
 - Impressions de music-hall (1926, Pierné)
 - L'écran des jeunes filles (1929, Roland-Manuel)
 - Le rustre imprudent (1931, Fouret)
 - Un jardin sur l'Oronte (1932, Bachelet)
 - Roselinde (1933, Hirschmann)
 - Le rouet d'Armor (1936, Piriou)
 - Iléana (1936, Bertrand)
 
References
    
- Beaumont, Cyril William (1941). Complete book of ballets: a guide to the principal ballets of the Nineteenth and Twentieth Centuries.
 - Dorris, George (1995). "Léo Staats at the Roxy, 1926-28". Dance Research: The Journal of the Society for Dance Research. 13 (1): 84–99. doi:10.2307/1290902. JSTOR 1290902.
 - Kisselgoff, Anna (22 October 1989). "DANCE VIEW; American Modern Isn't at Home in Germany". The New York Times. Retrieved 27 January 2012.
 
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