Jane Porter

Jane Porter (17 January 1776 – 24 May 1850) was an English historical novelist, dramatist and literary figure.[1][2][3] Her work The Scottish Chiefs is seen as one of the earliest historical novels and remains popular among children in Scotland.

For the Tarzan character, see Jane Porter (Tarzan). For the romance author, see Jane Porter (romance author).

Jane Porter
Jane Porter, from The Ladies' Monthly Museum
Born(1776-01-17)17 January 1776
Durham, England, UK
Died24 May 1850(1850-05-24) (aged 74)
Bristol, England, UK
OccupationNovelist
NationalityScottish
CitizenshipKingdom of Great Britain
Period1803–1840
GenreHistorical fiction
SubjectHistorical documentary
Notable worksThe Scottish Chiefs

Life

Jane Porter was born in Durham, England, the third of five children of the Scot William Porter and Jane (née Blenkinsop). Tall and beautiful as she grew up, Jane Porter's grave air earned her the nickname La Penserosa (The Pensive One). After her father's death, her family moved to Edinburgh, where she studied under the schoolmaster George Fulton and Sir Walter Scott was a regular visitor. Some time after, the family moved to London, where the sisters became acquainted with several literary women: Elizabeth Inchbald, Anna Laetitia Barbauld, Hannah More, Elizabeth Hamilton, Selina Davenport, Elizabeth Benger and Mrs Champion de Crespigny.

Porter's siblings also achieved some fame. Her sister Anna Maria Porter was likewise a novelist. Her brother Sir Robert Ker Porter became a noted painter.[4]

She died in Bristol at the age of 74.[5]

Works

Porter is seen to have "crafted and pioneered many of the narrative tools most commonly associated with both the national tale and the historical novel,"[6] though her claims in her lifetime to have done so were often ridiculed and dismissed.[7] Her 1810 work The Scottish Chiefs, about William Wallace, one of the earliest examples of the historical novel,[8] was very successful.[5] The French version was banned by Napoleon. It was said to have influenced Scott and other writers[5] and has remained popular with Scottish children. The Pastor's Fireside (1817) was a story set in the 18th century about the later members of the House of Stuart.[9] Though one of the most popular writers of her time, the profligacy and financial indecisions of her brothers kept her very poor, as she and Anna Maria were constantly obliged to use their incomes to pay off their brothers' debts.[7]

Engraving of the author from an 1846 edition of The Pastor's Fireside

Porter wrote Thaddeus of Warsaw in 1803, set in the late 18th century Polish–Lithuanian Commonwealth.[5] Despite its success, Porter did not benefit financially, as its copyright was held by its various publishers. To gain income from it, she resorted to ostensibly new editions published with prefaces and minor changes.[10] She applied unsuccessfully for a literary pension, and being personally "totally destitute or nearly so", had to move between homes of her friends.[11]

Porter contributed to periodicals and wrote the play Switzerland (1819), which seems to have been deliberately sabotaged by its lead, Edmund Kean, and closed after its first performance.[12] She is sometimes associated with the 1822 production Owen, Prince of Powys, which closed after only three performances,[9] but this was actually by Samson Penley.[12] Porter also wrote Tales Round a Winter Hearth (1821), Coming Out (1828) and The Field of Forty Footsteps (1828) with her sister, Anna Maria.[1] A romance, Sir Edward Seaward's Diary (1831), purporting to record actual circumstances and edited by Jane, was written by her brother, Dr William Ogilvie Porter, as letters in the University of Durham Porter archives show.

In her later years, Porter continued to write pieces for journals. Many appeared anonymously or were simply signed "J. P." Her wide-ranging topics included Peter the Great, Simón Bolívar, and the African explorer Dixon Denham.[13]

Influences

Porter, like many contemporaries, was fascinated by Lord Byron. The villain in The Pastor's Fireside, Duke Wharton, has been said to cast "an unmistakably Byronic shadow".[14] Additional influences on her writing included her schoolmaster George Fulton, Edmund Spenser's The Faerie Queene and Sir Philip Sidney's Arcadia.[4][15] She in turn influenced writers in her time.[5]

References
  1. McCalman, Iain, ed. (2009). "Porter, Jane". An Oxford Companion to the Romantic Age. Oxford University Press.
  2. Lee, Elizabet (1896). "Porter, Jane". In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 46. London: Smith, Elder & Co. pp. 182–184.
  3. Todd, Janet, ed. (1989). "Porter, Jane". British Women Writers: a critical reference guide. Routledge. pp. 542–543.
  4. Sutherland, Virginia (2013). "Jane Porter and the Heroic Past". In Otago Students of Letters (ed.). In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections. Dunedin: University of Otago.
  5. MacPherson, Hamish (9 November 2021). "A look into the women of the Scottish Enlightenment". The National. p. 21. Retrieved 22 November 2021.{{cite web}}: CS1 maint: url-status (link)
  6. McLean, Thomas (2007). "Nobody's Argument: Jane Porter and the Historical Novel". Journal for Early Modern Cultural Studies. 7 (2): 88–103. doi:10.2979/JEM.2007.7.2.88.
  7. What'sHerName and Dr. Devoney Looser (2 April 2018). "THE SISTERS: Jane and Anna Maria Porter". What'shername. Retrieved 7 January 2019.
  8. "Historical novel", The Oxford Companion to English Literature, ed. Margaret Drabble. OUP, 1995, p. 470.
  9. Birch, Dinah, ed. (2011). The Oxford Companion to English Literature. Oxford University Press.
  10. Looser, Devoney (2010). Women Writers and Old Age in Great Britain, 1750–1850. JHU Press. p. 157. ISBN 978-1-4214-0022-8.
  11. Looser, Devoney (2010). Women Writers and Old Age in Great Britain, 1750–1850. JHU Press. p. 159. ISBN 978-1-4214-0022-8.
  12. McMillan, Dorothy. "Porter, Jane". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/22571. (Subscription or UK public library membership required.)
  13. McLean, Thomas (2009). "Jane Porter's Later Works, 1825-1846". Harvard Library Bulletin. 20 (2): 45–62.
  14. McLean, Thomas (2012). "Jane Porter and the Wonder of Lord Byron". Romanticism. 18 (3): 250–59. doi:10.3366/rom.2012.0096.
  15. Kelly, Gary, ed. (2002). Varieties of Female Gothic. Vol. 1. London: Pickering & Chatto.
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