David Ruben Piqtoukun

David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (born 1950) is an Inuvialuk (Inuit) artist from Paulatuk, Northwest Territories.

Inuksuk built by David Ruben Piqtoukun in the lobby of the Embassy of Canada in Washington, D.C.

Career

One of 15 children, Piqtoukan lived a traditional Inuit life until he was sent away to residential school at age five.[1] In 1972, his brother Abraham Anghik Ruben introduced him to stone carving.[2] He also studied books on art.[3] He attributes the impetus behind making his work to art patron Dr. Allan Gonor from North Battleford, Saskatchewan in 1974. Gonor suggested he use stories Piqtoukun collected in his sculpture.[4] Gonor told Piqtoukin:

"When you travel north, collect the stories — and from there, you introduce them into your carvings and then you start learning."[5]

In 1975, he started compiling ancestral stories, creating an oral history for himself. It served as a source for his work and a way to re-establish his roots and identity.[6] In 1996, he re-examined his cultural dislocation caused by residential school in Between Two Worlds: Sculpture by David Ruben Piqtoukun, an exhibition at the Winnipeg Art Gallery (WAG) in Manitoba.[7] The Winnipeg Art Gallery also organized Out of Tradition: Abraham Anghik / David Ruben Piqtoukun: a retrospective exhibition, curated by Darlene Wight. Piqtoukun's work also has been included in many group shows, in Canada and internationally.

His output includes sculpture and prints; the sculptural work is innovative in its use of mixed media. His materials and imagery bring together modern and traditional Inuit stylistic elements in a personal vision. An example of this is his work The Passage of Time (1999), which portrays a angakkuq (shaman) in the form of a salmon moving through a hole in a hand. While shamanic imagery is common in much of Inuit art, the hand in this work is sheet metal, not a traditional material such as walrus ivory, the antler's of caribou or soapstone. Fellow Inuvialuk artist Floyd Kuptana learned sculpting techniques as an apprentice to David Ruben.

His work is included in public collections such as the National Gallery of Canada, Ottawa; the Art Gallery of Ontario, Toronto; the McMichael Canadian Art Collection, Kleinburg;[2] the Winnipeg Art Gallery[7] and the Staatliche Museum für Völkerkunde, Munich, Germany.[3]

Honours

References
  1. Murray, Joan (2006). McMichael Canadian Art Collection: One Hundred Masterworks. Kleinburg, Ontario: McMichael Canadian Art Collection. p. 156. Retrieved 31 March 2022.
  2. Murray 2006, p. 156.
  3. "David Ruben Piqtoukan". www.inuitartfoundation.org. Inuit Art Foundation. Retrieved 31 March 2022.
  4. "Govenor's Generals Awards in Visual and the Media Arts". en.ggarts.ca. Government of Canada. Retrieved 31 March 2022.
  5. "David Ruben Piqtoukan". www.cbc.ca. CBC Radio-Television, 2004. Retrieved 31 March 2022.
  6. "Colour and Vision: Portraits in Art - David Ruben Piqtoukun, Judy Sherman & Eva Folks". www.youtube.com. You Tube. Retrieved 2 April 2022.
  7. "David Ruben Piqtoukan". www.100masters.wag.ca. Winipeg Art Gallery. Retrieved 1 April 2022.

Bibliography
  • Ada, Michigan. MASTERS OF THE ARCTIC: An Exhibition of Contemporary Inuit Masterworks. Amway Corporation, 1989
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